Transformers 2: Michael Bay Sucks My Balls

Well, my favorite director, Michael Bay strikes again, as he goes back to the well to once again destroy my favorite childhood cartoon, making a sequel to the first Transformers movie that’s actually worse, which is saying a lot. The first movie, like all of Bay’s cinematic abortions, was a mess of over-stylized color correction and tired camera moves (seriously guy, get a new trick) with a script that read like a seven year old with ADHD busted it out between episodes of Sponge Bob, completely devoid of even one genuine human emotion. But, if you were able to turn your brain off and ignore the everything but the parts where the Autobots and the Decepticons were in the act of fighting, it was at least watchable.

Unfortunately, the same can’t be said for the new Transformers movie. Everything that was wrong with the original was made worse in this one. Here’s a clip that manages to encompass a ton of the problems:

The first thing you might notice is that there isn’t an Autobot in sight. Yep, the biggest problem with a movie called Transformers is that you hardly ever see the Transformers. The Autobots disappear for large stretches of the movie; in fact, you end up seeing more of the Decepticons, making it pretty easy to rrot for them, if only because their victory would mean another one of these terrible movies wouldn’t be made.

Next, you’ll notice that aside from a few lines at the beginning of the clip, all the characters emit are grunts, screams, and one word shouts, and, unfortunately, this is pretty indicative of the script. Even worse, when the characters do get to put together complete sentences, you wish they didn’t. Since the robots are almost never shown, the movie hinges on the real people, who are so fake and unbelievable, that it’s, well, unbelievable. The hyper-stylized tinge that Bay puts on all the colors of his movies, making them look cool, but completely unrealistic, extends to the characters. Josh Duhamel and Tyrese are back as robotic soldiers that have you praying for a case of friendly fire, John Tuturro continues to shame himself (it’s hard watching a good actor do this), Megan Fox continues to be hot but, once again, has nothing to say, and Shia LeBoeuf isn’t saying something that supposed to be serious but doesn’t make any sense, he’s yelling like a 3 year old. A new character, Leo, played by Ramon Rodriguez, is meant to be some kind of comedic relief, but ends up being loud and obnoxious, and just one more reason for the movie not to show the Transformers. The lack of characterization extends to the robots and none of them get more than 3 lines of dialogue, and they again decided to make Bumblebee, the most human of all the Autobots in the cartoon, a mute, making him unable to connect with the audience. But, the worst offenders of the movie are Kevin Dunn and Julie White, returning as Sam (Shia LeBouf)’s parents. They were completely useless and unentertaining in the first movie, so of course they’re in this one twice as much. I’m sorry, but having the mother eat a pot brownie and run around a college campus isn’t funny.

Another thing this clip shows is the utter lack of logical action and focus in the movie. The Decepticons want what’s in Sam’s brain (not a spoiler, it’s in the previews) so they kidnap him. But, in the process of this kidnapping, they do about 15 things that could kill him, or at the very least damage his brain. How does that car fall head on 15 stories and not one person in it has a scratch on them?!? Just more of the nonsensical mess that Bay pushes on us. The movie is riddled with stuff like this, and making matters worse, it’s freaking long. It runs something like 2 and a half hours, and without a plot and with the characters just running all over the place doing nothing (and without any freaking Autobots!) it gets very boring.

Everything wrong with the 2 movies is in their conception, and no place is it worse than in the actual appearance of the Transformers. What made them cool in the cartoon was how simple they looked. You could see how Optimus Prime could turn into a semi truck, how Iron Hide could turn into a van (that’s right, a van). No only were they simple, they were brightly colored. It was easy to tell Prime from Megatron, Starscream from Bumblebee. But, because they decided it would be cooler to make them look like a mess of parts held together by a giant glob of super glue, you can’t tell any of the Transformers apart, and the battle scenes are just giant amalgamations of fast moving parts that you eventually end up not caring about.

They introduce some new Transformers in the movie, but, of course, we don’t really get to see them for more than a second or two. The only ones who are remotely cool are Decepticons (see, I told you they come off better) Soundwave, who isn’t a boom box, but a satelite, which just makes him look cool, not that he actually does anything that great, and Rampage, the cat-like thing that was one of the cassettes that Soundwave shot out in the show.

The only two new characters we really get to know are the ones that take the move from just bad to racist, the Autobot twins, Mudflap and Skids.

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Of the 2, only Skids appeared in the original cartoon, and then only in 2 episodes, barely speaking, so these new characters really have no basis in the history of Transformers. If you thought Jazz came off as a racist and offensive representation in the first one (and if you didn’t: really?) then you haven’t even begun to be offended. The “characters” call back to the minstrel shows of the good old days, when it was prefectly acceptable to be racially insensitive in every way. They proudly acknowledge that they don’t read! Of all the nonsense of this movie, Michael Bay owes an apology for this one. Of course, he just says “it’s good, old-fashioned fun”. Way to keep the douche streak alive.

So, at the end, the only thing worth seeing the movie for is Megan Fox, and really, you can go to any newsstand anywhere and find her onl the cover of about 15 magazines.

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And sure, she’s ridiculously attractive. Like kill your best friend for 15 minutes with her attractive. But it’s an awful lot of hype for somebody who hasn’t done anything as an actor. She’s been in the 2 terrible Transformers movies and in How To Lose Friends And Alienate People, which she was good in, but playing a vacant movie star doesn’t seem like much of a stretch. There are plenty of equally ridiculously attractive female actors out there who have actually made some things worth watching, so, in order to forget this terrible movie, and remember a good actress, I submit Alexis Bledel:

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  1. 3 Responses to “Transformers 2: Michael Bay Sucks My Balls”

  2. By nick on Jul 18, 2009

    Hey there, you’ve mentioned MB uses over-stylized color correction. I agree with you. I’d appreciate it if you could give me some sample movies that used color correction which was pleasing to your eyes. Also, please recommend what better color correction would be more suitable for Transfomers from the samples. I aspire to be a film-maker. I don’t want to do the same mistakes… Thanks.

  3. By cbwilkins on Jul 22, 2009

    Hey, sorry to take so long in replying to you. Before you read any of this, know that I’m in no way an expert at the color stuff; I’m a writer at heart and there are probably a lot of place you could look for better advice on how to manage color in a movie.

    At an essential level, I don’t really think there’s anything that wrong with the way Bay chose to color correct this movie, but when you look at the fact that every one of his recent movies, Bad Boys 2, The Island, and both Transformers movies, have the exact same color scheme, then it becomes a problem. It’s like he’s saying all of the movies are interchangeable. Creating that hyper-realistic look is Ok, but it’s not a good plan to box yourself into a hole where you’re only capable of one style as a director.

    David Fincher, on the other hand, is amazing at utilizing color in his films. Benjamin Button has this very nice, subdued color scheme that makes everything feel classic and historic. Fight Club is also even better because of his outstanding color choices. He uses greens and greys and blues to create a grimy, dirty feel that the subject matter really needs. Compare that to Choke, another adaptation of a novel by Chuck Palahniuk, a movie whose color scheme helped to show an overall lack of understanding of the subject. Like Fight Club, Choke is a grimy, dirty novel that deserved to have that feel on film, but director Clark Gregg chose to give it almost a comedy color scheme, light and bright and sunny, and it ruined the feel of the film. Aside from bad choices like leaving out the persistent rain and making happy endings where none existed, Gregg’s inability to control the feel of the film through color really lead to it’s awfulness.

    While Guy Ritchie kind of has some Baylike problems in not being able to get over the gangster genre, if you look at Lock Stock And Two Smoking Barrels and Snatch their color schemes are perfect. Like Fight Club, they’ve got those dirty grimy tones that make everything just feel right.

    The vast majority of films don’t really have sever color schemes, just a bit of correction here and there to make everything look movie quality. The main thing is to figure out what you’re trying to say with a particular scene or with the movie as a whole, and to use the color as a modifier to help. If changing the color scheme can help you visually tell your story, then it’s something worth exploring. The movie we’re making right now is a comedy and doesn’t really need a lot of visual cueing, so there isn’t going to be a ton of color correction. It’s all about what suits your needs best.

  4. By nick on Jul 24, 2009

    Hey, thanks. That was more informative than expected. I recently learn a lot from Siggy Ferstl as well, who is a digital intermediate (color correcter) for a number of films, commercials and such. One box-office movie that I loved his work in color was Die Hard 4. He basically says, in a movie, there should be different colors used to differentiate each scenes and mood instead just one color for the whole movie of for all the movies that a director makes. You could see him work in the making of Die Hard 4 DVD. Once again, thanks for your time to write back. Take care.

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